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¿ìÁ¤Ã⿬ : Á¤¸é,È«Àº¿µ(±âŸ·¹Å¸) chopin.....waltz. op.64-2
±è±Ù¸í (¼¿ï´ë ±âŸÀü°ø 1Çгâ) n.paganini.....grand sonsta A major (3¾ÇÀå)
ÀÔÀå±Ç¹®ÀÇ....guitarmania5@naver.com
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Quartet
Introduction and Fandango ............. Luigi Boccherini
Pachelbel's 'Loose' canon ............. arr. LAGQ
ÁÖÃÖ................ ±¤ÁÖŬ·¡½Ä±âŸÇÕÁÖ´Ü.
(À§ ¸ðµç°ø¿¬ ÃÊÁß°í´ëÇлý ÇÊÈ÷ Çлý±ÇÁöÂü .............. 50%ÇÒÀÎ.)
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1996 ÀÌŸ® ¾Ë·º»êµå¸®¾Æ ÄáÄí¸£ ¿ì½Â
1999 ¹Ì±¹ gfa ÄáÄí¸£¿ì½Â.
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.....Alexandre Tansman (1897-1986)
Cavatina & Danza Pomposa
Preludio
Sabaranda
Scherzino
Barcarola
Danza Pomposa
.....Miguel Llobet (1878-1938)
Scherzo Vals
.....Dionisio Aguado (1784-1849)
Rondo brillant op. 2 no. 2
......................................(intermission).......................................................................
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.....Alexandre Tansman
Suite in Modo Polonico
Entree
Gaillarde
Tempo di Polonaise
Kolysanka
Oberek
......Miguel Llobet
2 Catalan Folksongs
Variations on a theme by Sor
......Mario Castelnuovo-Tedesco (1895-1968)
Tarantella op. 87b
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ÇÁ·ÎÇÊ.(¿µ¾î Çؼ® Á»...)
Hailed by the musical critics as ¡°virtuoso extraordinaire¡± (Nice Matin), ¡°absolutely astonishing¡± (Fort Worth Star-Telegram), ¡°prodigious talent¡± (Soundboard), guitarist and theorbist Lorenzo Micheli is today one of the most active Italian musicians in the world. A student of Paola Coppi in Milan, Frédéric Zigante in Lausanne and Oscar Ghiglia in Siena and Basel, he graduated with full marks from both the Conservatory of Trieste and the Musik-Akademie of Basel.
Since winning the first prize in some of the most prestigious guitar competitions (Gargnano, 1996; Alessandria, 1997; Guitar Foundation of America, 1999), Lorenzo Micheli has taken up a busy concert career throughout the world, performing regularly—both as a soloist and with orchestra—in many European countries (Italy, Switzerland, Greece, Spain, Austria, Ireland, Germany, the UK, France, Croatia, Finland, Norway, Estonia, Turkey, Slovakia, Poland, Slovenia) and all over the US and Canada, as well as in Africa and Latin America. As a researcher and scholar, he has written articles and contributions for a number of music journals, including ¡°Il Fronimo¡±, ¡°Classical Guitar¡± and ¡°Guitar Forum¡±. His editorial projects – notably the unpublished works by Mario Castelnuovo-Tedesco, and the complete Sonatas for solo guitar by Viennese romantic composer Ferdinand Rebay – are published by Bèrben and Philomele Editions. He gives masterclasses at universities and music festivals throughout North America and Europe, and he has made recordings for radio and TV in three continents. Since 2002, in addition to several other chamber music commitments (especially with the early music ensemble Conserto Vago, as a theorbo and baroque guitar player), he has been performing worldwide with Matteo Mela. Their guitar duo was welcomed by The Washington Post as ¡°extraordinarily sensitive, with effortless command and an almost unbearable delicacy of touch: nothing less than rapturous - profound and unforgettable musicianship of the highest order¡±.
His several recordings include the music of Dionisio Aguado (Stradivarius),
the Three Quartets, op. 19, by the French composer François de Fossa (Stradivarius),
the complete guitar Concertos by Mario Castelnuovo-Tedesco (Brilliant),
the live video Live at Texas Tech University (Mel Bay),
a selection of guitar music by Castelnuovo-Tedesco (Naxos),
the complete works by Miguel Llobet (Naxos),
and an anthology of chamber works by Mauro Giuliani (2 CDs, Amadeus).
Together with Matteo Mela,
he recorded the Duos Concertants by Antoine de Lhoyer (Naxos),
an anthology of 20th Century Masterpieces for two guitars (Pomegranate),
and a CD of Italian XVII Century music for baroque guitar,
archlute and theorbo (Stradivarius).
Agustin Barrios, 3 pieces (Vals op. 8 no. 4 - Vals de la Primavera - Maxixe)
Lorenzo is Guitar Professor at the Conservatory of Aosta, in the Italian Alps.
For further informations, please visit www.soloduo.it or www.lorenzomicheli.com.
¾Æ·¡´Â ±Ý¸ð·¡´ÔÀÇ ¿ì¸®¸» ¹ø¿ªÀÔ´Ï´Ù. °¨»çÇÕ´Ï´Ù.
<Áö³ª°¡´Ù°¡ ½Ã°£ÀÌ Á» ³ª¼ ±âŸ¸Å´Ï¾Æ¿¡ °øÇåÇÑ ¹Ùµµ ¾ø°í Çؼ ¼Åõ¸£°Ô °£´ÜÈ÷ ¹ø¿ªÀ» ÇغýÀ´Ï´Ù. ´Ù Àоú°ÚÁö¸¸ Ȥ½Ã³ª Âü°íÇϽöó°í.>
À½¾Ç Æò·Ð°¡·ÎºÎÅÍ ¡°ºñ¹üÇÑ ´ë°¡¡±(Nice Matin), ¡°´ë´ÜÈ÷ ³î¶ó¿î¡±, ¡°ºñ¹üÇÑ Àç´ÉÀ» °¡Áø¡± µîÀÇ Âù»ç¸¦ ¹ÞÀº, ±âŸ¿¬ÁÖÀÚÀÌÀÚ Å׿À¸£º¸ ¿¬ÁÖÀÚÀÎ Lorenzo Micheli´Â ¿À´Ã³¯ ¼¼°èÀûÀ¸·Î °¡Àå È°µ¿ÀûÀÎ ÀÌÅ»¸®¾Æ À½¾Ç°¡ÀÌ´Ù.
¹Ð¶ó³ë¿¡¼ Paola Coppi, ·ÎÀÜ(½ºÀ§½ºÀÇ È£¹Ý µµ½Ã)¿¡¼ Frdric Zigante, ½Ã¿¡³ª(ÀÌÅ»¸®¾Æ µµ½Ã)¿Í ¹ÙÁ©(ÇÁ¶û½º¿Í µ¶ÀÏ »çÀÌÀÇ µµ½Ã)¿¡¼ Oscar Ghiglia¸¦ »ç»çÇÑ ±×´Â the Conservatory of Trieste¿Í ¹ÙÁ©ÀÇ the Musik-Akademie¿¡¼ ¸¸Á¡À¸·Î Á¹¾÷À» Çß´Ù.
°¡Àå Àú¸íÇÑ ±âŸ °æ¿¬´ëȸ ¸î¸î(Gargnano, 1996; Alessandria, 1997; Guitar Foundation of America, 1999)¿¡¼ ÃÖ¿ì¼ö»óÀ» ¹ÞÀº ÀÌ·¡·Î, ±×´Â ¾ÆÇÁ¸®Ä«¿Í ³²¹Ì»Ó¸¸ ¾Æ´Ï¶ó ¹Ì±¹ Àü¿ª°ú ij³ª´Ù ±×¸®°í ¸¹Àº À¯·´±¹°¡(ÀÌÅ»¸®¾Æ, ½ºÀ§½º, ±×¸®½º, ½ºÆäÀÎ, ¿À½ºÆ®¸®¾Æ, ¾ÆÀÏ·£µå, µ¶ÀÏ, ¿µ±¹, ÇÁ¶û½º, Å©·Î¾ÆƼ¾Æ, Çʶõµå, ³ë¸£¿þÀÌ, ¿¡½ºÅä´Ï¾Æ, ÅÍÅ°, ½½·Î¹ÙÅ°¾Æ, Æú¶õµå, ½½·Îº£´Ï¾Æ)¿¡¼ ¿ÀÄɽºÆ®¶ó¿Í ÇÔ²² ¶Ç´Â ¼Ö·Î·Î Á¤±â ¿¬ÁÖ¸¦ ÇÏ¿´À¸¸ç ¼¼°è¸¦ µ¹¸ç ¹Ù»Û ¿¬ÁÖ ÀÏÁ¤À» º¸³Â´Ù.
¶Ç ¿¬±¸ÀÚ³ª ÇÐÀڷμ ±×´Â "Il Fronimo", "Classical Guitar" ±×¸®°í "Guitar Forum"À» Æ÷ÇÔÇÑ ¸¹Àº À½¾Ç ÀâÁö¿¡ ±â°í¹®°ú ³í¹®À» ½è´Ù. Mario Castelnuovo-TedescoÀÇ ¹Ì°£Çà ÀÛÇ°°ú ºñ¿£³ªÀÇ ³¶¸¸ÆÄ ÀÛ°î°¡ÀÎ Ferdinand RebayÀÇ ¿Ïº®ÇÑ µ¶ÁÖ ¼Ò³ªÅ¸¿¡ ´ëÇÑ ±×ÀÇ Æí°îµéÀº Brben and Philomele ÃâÆǻ翡 ÀÇÇؼ °£ÇàµÇ¾ú´Ù. ±×´Â ´ëÇп¡¼ ¸¶½ºÅÍŬ·¡½º¸¦ ¿¾úÀ¸¸ç ºÏ¹Ì¿Í À¯·´¿¡¼ À½¾Ç °æ¿¬È¸¸¦ °³ÃÖÇß°í 3°³ ´ë·ú¿¡¼ Ƽºñ¿Í ¶óµð¿À¸¦ À§ÇÑ ³ìÀ½µµ Çß´Ù.
2002³âºÎÅÍ´Â ¸î¸î ´Ù¸¥ ½Ç³» ¾Ç´Ü(ƯÈ÷ Å׿À¸£º¸¿Í ¹Ù·ÎÅ© ±âŸ ¿¬ÁÖÀڷμ Conserto Vago ¾Ç´Ü ¿Ü¿¡µµ Matteo Mela¿Í ÇÔ²² ¼¼°è °ø¿¬À» Çß´Ù. ±×µé ±âŸ µà¿À´Â ¿ö½ÌÅÏ Æ÷½ºÆ®Áö·ÎºÎÅÍ ¡°´ë´ÜÈ÷ °¨¼ºÀûÀ̸ç, °¡Àå Á¤¿¬µÈ »óÅ¿¡¼ ½É¿ÀÇÏ°í ÀØÀ» ¼ö ¾ø´Â À½¾Ç¼ºÀ» º¸¿© ÁÖ¾î ÂüÀ¸·Î ȲȦÇϱâ±îÁö ÇßÀ¸¸ç ÈûµéÀÌÁö ¾Ê´Â Á¦¾î·Â°ú µµÀúÈ÷ ¹ÏÀ» ¼ö ¾ø´Â ¼¶¼¼ÇÔÀ» °¡Á³´Ù¡±¸ç ȯ¿µ ¹Þ¾Ò´Ù.
Lorenzo´Â ÀÌÅ»¸®¾Æ ¾ËÇÁ½º¿¡ ÀÖ´Â Conservatory of Aosta¿¡¼ ±âŸ¸¦ °¡¸£Ä¡´Â ±³¼ö·Î ÀÖ´Ù
±âŸ¸Å´Ï¾Æ¿¡¼ ÆÛ¿Ô¾î¿ë.
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